Articles by this Author:
Club Review: Susan Neuffer’s “An Elpee’s Worth of Todd”
Back in the day, when I became a lifelong fan of singer/songwriter/producer Todd Rundgren, albums were not merely a collection of "pick & choose" streamable tracks. They were an entity...
Club Review: Brandon James Gwinn’s “Four Pianos”
Bobby Short…Blossom Dearie…Frances Faye…Diana Krall. Their names alone conjure images of sophisticated, exciting nightlife, of bôites inhabited by saloon singers on the ivories, of wonderful dreams of music and class...
Club Review: Stacy Sullivan, Todd Murray in “I’m Glad There Is You—The Musical Romance of Frank Sinatra and Peggy Lee
What could go wrong? One of New York cabaret’s warmest, most intelligent, and talented vocalists paired with a solid crooner in the classic mode whose rich, smooth sound and smart...
Remembering Jay Rogers
On October 28, 2022, we lost Jay Rogers, one of the most hilarious, talented, endearing clowns in New York cabaret and theatre, to cancer. It is a tragic reminder of...
Club Review: Dorian Woodruff’s “The Lyrics of Alan and Marilyn Bergman”
In 1960, lyricists Alan and Marilyn Bergman secured their position in the Great American Songbook with Frank Sinatra’s recording of “Nice ‘n’ Easy” (Lew Spence) and, up until Marilyn’s death...
Club Review: “Lisa Viggiano Sings the Jane Olivor Songbook”
After she was discovered (and signed to Columbia Records) at her very first cabaret show, Jane Olivor released five albums between 1976 and 1982 that endeared her to many, particularly...
Club Review: Philip Officer’s “Let Me Sing and I’m Happy”
When I teach vocal performance, one of the first things I stress to students is that performing in a cabaret space is more akin to film acting than stage acting....
CD Review: Eleri Ward’s “Keep a Tender Distance”
Sondheim tribute recordings and CDs have become a cottage industry in the music world. There have been many fine entries in the genre harkening back to Sir Richard Rodney Bennett,...
Club Review: Scott F. Mason’s “One Dame Funny Night”
Before I get to Scott F. Mason’s hilarious show at Don’t Tell Mama, One Dame Funny Night, return with me to those thrilling days of cabaret past, and to one...
Club Review: Ann Morrison’s “Merrily from Center Stage”
Anyone who has seen the 2016 documentary Best Worst Thing That Ever Could Have Happened might understandably assume that there was no need to get further insight into the famed failure that...