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“Magically Delicious”
Metropolitan Room – September 24, 25, 26, October 2, 3, 4
When you see live entertainment, you can never really be sure what you are going to get. You might go expecting belly laughs and barely manage a giggle. You might wait for emotional heartbreak and leave just blah. Most of all, and worst of all, you might be bored. Which brings us to Jason Graae — one thing you can be sure about, you will be entertained. Bored, never. You take that to the bank, and how much else can you take to the bank these days?
Call him irrepressible, call him inspired, call him a talented tenor and an able oboist, dancer and actor. Jason Graae is all of that, and in his latest show at the Metropolitan Room, he proves he is “Magically Delicious.” This is not really unexpected because Graae is always deliciously funny, but why magical? Why not, with those energized “Graae” cells?
You might say that everything he delivers in this show is mixed in a potion of magic spiced with talent. Luck, arcane in itself, is reinforced with his rendition of “Lucky to Be Me” (Bernstein, Comden and Green). Graae reminds us that for five lucrative years, he appeared as Lucky the Leprechaun for the “magically delicious Lucky Charms cereal.” Some theme choices are obviously witchy, like Cy Coleman and Carolyn Leigh’s “Witchcraft” and the perky “Popular” (Stephen Schwartz), which is performed by the Good Witch Glenda of the North in Wicked. Pianist Alex Rybeck, Graae’s musical director and second banana, joined with lyricist Seth Friedman to write a screamingly funny “Sybil (Why Did You Have to Split?).” Graae, a trained oboist, plays “Bewitched, Bothered and Bewildered” (Rodgers and Hart) and smoothly segues into the theme of the TV series Bewitched (Greenfield and Keller). This is a good sequence and also a reference to Graae’s television resume. Although he did not appear in the Bewitched series, Graae did show up in the sequel, Sabrina, The Teenage Witch. For an encore of diabolically appetizing humor, he dons a Hannibal Lecter mask to deliver a vivid “Slasher Medley” (Cherry and Glaudini).
In theater, Graae played Harry Houdini in the Los Angeles production of Flaherty and Ahrens’s Ragtime, a part he said was the best 15 minutes of his life. Graae had made his entrance in the musical hanging upside down from the rafters in a straitjacket. Obviously, the Metropolitan Room did not want to accommodate a repeat, so Graae enters through the darkness with his hand in cuffs above his head, and then on with a show of his own form of wizardry.
However, not all is prestidigitation. There are references back to Jason Graae’s very earthbound theater resume. A notable moment is his sensitive and richly characterized interpretation of the lovely “Marianne” from Jerry Herman’s The Grand Tour, in which Graae appeared off-Broadway as Jacobowski. I would love to hear Jason Graae apply his estimable tenor voice to include more of his theater selections. Then again, who wants to leave any of that funny stuff out?
One of Jason Graae’s off-Broadway appearances was in Promenade. From that show, he delivers Carmines and Fornes’s acclamation “The Moment Has Passed,” with the line “Once the moment passes, it never comes again.” Don’t let another moment pass without seeing this award-winning dynamo’s newest cabaret charm.