LnRiLWZpZWxke21hcmdpbi1ib3R0b206MC43NmVtfS50Yi1maWVsZC0tbGVmdHt0ZXh0LWFsaWduOmxlZnR9LnRiLWZpZWxkLS1jZW50ZXJ7dGV4dC1hbGlnbjpjZW50ZXJ9LnRiLWZpZWxkLS1yaWdodHt0ZXh0LWFsaWduOnJpZ2h0fS50Yi1maWVsZF9fc2t5cGVfcHJldmlld3twYWRkaW5nOjEwcHggMjBweDtib3JkZXItcmFkaXVzOjNweDtjb2xvcjojZmZmO2JhY2tncm91bmQ6IzAwYWZlZTtkaXNwbGF5OmlubGluZS1ibG9ja311bC5nbGlkZV9fc2xpZGVze21hcmdpbjowfQ==
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
“If Only…”
The Duplex – June 3
In her debut show, “If Only…,” Liz Rubino, a theatre actress from Ohio and recent New York University Master’s degree recipient, showed a lot of promise for a future in cabaret. She asked a question common to many performers who make their way to The City: “If only I were this, that, or the other, wouldn’t my life be easier?” It’s a good question to explore in a club act because so many talented cabaret performers, for one reason or another, don’t quite fit into mainstream theatre, television, or film roles. And how many performers—or people—haven’t doubted themselves and asked that question?
Coming onto the black-box stage of the Duplex with an open face and a warm smile, like the sun ushering in a new day, Rubino put the audience at ease with her welcoming stage presence before she sang a word. She has great likeability, something that can’t be manufactured. Now, this where-do-I-fit-in? theme is a popular one with new performers eager to introduce their uniqueness to cabaret audiences, but Rubino and director Aaron Morishita added freshness to the formula with a splendid variety of songs and Rubino’s ingratiating personality.
She opened with a shortened version of “Colored Lights” (Kander & Ebb), then segued into Sterling Price-McKinney’s “The Fat Lady is Sick Today”: “The fat lady is sick today/ The snake woman is on vacation/ The fire eater has inflammation/ All you’re getting is me.” The song displayed her sense of humor about herself and set up the rest of the show quite well. She possesses a glorious mezzo-soprano voice, and she mainly sang the songs as written, only employing belting theatrics for occasional impressive effect.
Her story allowed her to explore many “if onlys”—if only I were Aretha Franklin, if only I were a dancer, if only I were an opera singer, for example—and gave her ample opportunity to do impressions. Her sunniness didn’t quite work on the bluesy “Fill ‘Er Up” (Ira Gasman, Cary Hoffman), but, then, that was the point. Much funnier was her take on the petite ingénue, with Tom Jones and Harvey Schmidt’s “Simple Little Things” (the zaftig Rubino stands about six feet tall), and on the opera singer whose mannerisms call attention to herself, with “Lime Jello Marshmallow Cottage Cheese Surprise” (William Bolcom).
She recalled a moment when a director fully believed in her for a starring role in Dear World, then she eased into Jerry Herman’s “And I Was Beautiful” from that show. She followed this up with the hilarious “Barbie Song,” written for Rubino’s show by John Paul Boukis and Terry Waltz. The show then took a bit of a left turn when Rubino announced, “I realized I didn’t want to be Barbie, I wanted to be with Barbie!” What followed was a coming-out tale—also somewhat de rigueur in cabaret these days—which became part of Rubino’s finding of her true voice.
That segment led to Steven Lutvak’s comical “Exit Right” (“Sex with an actor, what was I thinking?”) and an earnest “Can You Read My Mind” (John Williams, Leslie Bricusse), a song popularized by Maureen McGovern, which brought to mind how similar Rubino’s voice is to McGovern’s. Less convincing were “I Want to Be Evil” (Raymond Taylor, Lester Judson) and “An Old-Fashioned Love Song” (Andrew Lippa): she has the vocal chops, but she didn’t go to the edge with the songs. Another terrific song by Boukis and Waltz, ‘If Only,” closed out the show nicely.
Rubino demonstrated she’s a talented pro, but the show could have used more spontaneity. She writes well, but the patter felt too scripted and memorized. She could probably take a tip from veteran Colleen McHugh, who offers fascinating anecdotes but can tangle with the audience like nobody’s business. In fact, Rubino was most touching before her encore, “The Chance to Sing” (Billy Goldenberg, Tom Jones), when she spoke from her heart about the Hetrick-Martin Institute, where she had worked and for whose benefit she was doing the show.
Another issue is that she truncated several songs to fit her story. For example, a medley of “I Won’t Dance” (Jerome Kern, Dorothy Fields, Jimmy McHugh) and “The Music and the Mirror” (Edward Kleban, Marvin Hamlisch) left one wanting to hear the whole version of at least one of them. In cabaret, it’s best if the performer serves the music rather than the other way around.
With her flavorful song menu, Rubino gave us a nice taste of what she has to offer but left us longing for more of a feast, which I’ve no doubt she has the goods to deliver. Morishita did a good job with his understated staging, making use of simple but meaningful hand gestures as needed but keeping the focus on the music and the patter, but she needs to be encouraged to take more emotional risks. Jon Delfin’s musical direction was accomplished, but perhaps he could have pushed her to vocally challenge herself a little more at times, which would have added a frisson of excitement to an already very good show.
Liz Rubino is a hardworking, likeable performer whose finely-honed talent promises a bright cabaret career. If she allows herself to play a little bit more, she could become the compleat cabaret artist.
Kevin Scott Hall performed in cabaret clubs for many years and recorded three CDs, including “New Light Dawning” in 1998, which received national airplay. He also worked at the legendary piano bar, Rose’s Turn, and has taught cabaret workshops and directed shows since 1995. Kevin earned his MFA in Creative Writing at City College of New York. He is an adjunct professor in the Theatre and English departments at City College and Borough of Manhattan Community College. His novel, “Off the Charts!” was published in 2010, and his memoir, “A Quarter Inch from My Heart” (Wisdom Moon), in 2014. Kevin writes a monthly column and entertainment features for Edge Media Network, writes reviews for BistroAwards.com, and freelances for other publications.
