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“How’d All You People Get in My Room?”
Feinstein’s at Loews Regency – November 13-17
At Feinstein’s at Loews Regency, actor and singer Peter Gallagher presents a very personal and autobiographical evening with his show “How’d All You People Get in My Room?” Veteran of over sixty films, hundreds of television episodes, and over 2000 Broadway performances, Gallagher devotes most of his show to storytelling, offering a set list of just eleven songs. Though he’s known as a steadily working actor, this reviewer and his guest were surprised by the extent of his performance output and the legends with whom he has worked. Thus, what may at first seem a bit of self-indulgence for a middle-aged actor turns out to be a most entertaining evening of reminiscences. Gallagher pulls this off with a winning comic flair, not often seen in his screen work, that is both self-deprecating and charming.
Arguably even more handsome in person than on screen, he begins the show with “Time After Time” (Jule Styne, Sammy Cahn), working his way through the crowd, grabbing hands and touching shoulders. It’s a bit of Vegas schmaltz, but Gallagher is so likeable and effervescent, we accept it with a smile. Gallagher’s effortless bari-tenor voice is youthful and pliant, able to croon with the best of them, find a bit of gritty soul, or soar with a Broadway belt.
After the opening song, he gives a lengthy but ingratiating introduction to his life story, even managing to slip in a timely joke about undercover agents (he plays one on USA’s Covert Affairs, and CIA Director David Petraeus’s woes have recently been making headlines). Throughout the show, he tells stories of working with the likes of James Cagney, Jack Lemmon, and Peter O’Toole, and as a bonus, he gives an uncanny imitation of each.
He has likely performed most of the songs many times, as they have been in shows in which he has starred, or with which he is familiar for other reasons. For example, Frank Loesser’s “I’ll Know” was his wedding song; “Put Your Head on My Shoulder” (Paul Anka) served as his audition for Grease, one of his first big breaks on Broadway. It’s hard to find fault with his splendid renditions, except to say that familiarity has perhaps robbed them of some spontaneity; the polish is there but the danger often is not.
Nevertheless, he gives the overdone “A Song for You” (Leon Russell) a lot of soulful passion. Likewise, the little-known country-styled ballad “Don’t Give Up on Me” (Dan Penn, Carson Whitsett, Hoy Lindsey) offers us a welcome glimpse of vulnerability behind the outwardly confident Gallagher.
There’s another treat in store when he welcomes his 19-year-old daughter, Katherine, to the stage. She brims with self-confidence and humor, and joins her father on Irving Berlin’s “Anything You Can Do.” (On opening night, Gallagher forgot the lyrics twice, which had both of them cracking up on stage and the audience happily laughing along with them. It was a delightful moment.) He then leaves the stage to allow Katherine to perform “Damaged,” one of her own songs, and she rips into it with Janis Joplin abandon.
He closes with Frank Loesser’s “Luck Be a Lady,” from his Broadway triumph, Guys and Dolls, giving it the expected smart and lively rendition. For an encore, he pays poignant tribute to his late parents with a simple, moving “Danny Boy” (Frederic Weatherly).
Gallagher is joined onstage by a quartet of marvelous musicians who seamlessly follow him throughout his musings and vocal stylings: pianist/musical director Jeff Colella, guitarist Bob Thiele Jr., bassist Ken Wild, and drummer Rod Harbour. Gallagher seems to have managed quite well without a director, but enjoyable as this show is, I’d like to see him try something less autobiographical and straightforward next time around. For now, though, this makes a fine introduction to Peter Gallagher the nightclub entertainer.
Kevin Scott Hall performed in cabaret clubs for many years and recorded three CDs, including “New Light Dawning” in 1998, which received national airplay. He also worked at the legendary piano bar, Rose’s Turn, and has taught cabaret workshops and directed shows since 1995. Kevin earned his MFA in Creative Writing at City College of New York. He is an adjunct professor in the Theatre and English departments at City College and Borough of Manhattan Community College. His novel, “Off the Charts!” was published in 2010, and his memoir, “A Quarter Inch from My Heart” (Wisdom Moon), in 2014. Kevin writes a monthly column and entertainment features for Edge Media Network, writes reviews for BistroAwards.com, and freelances for other publications.