Katharine Mehrling

Penelope Thomas
While it is a delicious thing to hear a real Berliner singing from the Weimar Cabaret tradition, Katharine Mehrling seems to have a soul that is equally inspired by the streets of Paris. Her trio of muses for Streets of Berlin, her recent offering at Joe's Pub, were Marlene Dietrich, Judy Garland, and Édith Piaf....

Elizabeth Parrish

Robert Windeler
If there's such a thing as a carefully crafted stream-of-consciousness approach to cabaret, Elizabeth Parrish is surely the queen of it. In her recent show at Pangea, Every Soul's a Cabaret (directed by Paola Styron), "Betsy," as she was introduced, made a most convincing case for her own life as a cabaret and a largely...

Lauren Frazza

Gerry Geddes
Feelin' Good, singer Lauren Frazza's remarkably assured cabaret debut at Pangea, is filled with great singing, striking arrangements, good humor and real emotion. Again and again, one forgets that this is her first venture into cabaret. Under Geoff Stoner's clean, precise direction, Frazza delights the audience with tales of the dogs she has known. She...

Lisa Viggiano

Robert Windeler
In her latest show, From Lady Day to The Boss (at Don't Tell Mama, smoothly directed by Tanya Moberly), Lisa Viggiano justly and joyously celebrated the nearly five-decade career at Columbia Records of John Henry Hammond—from his supervision of the last recordings of Bessie Smith to his signing and launching of Bruce Springsteen. In between...

Gretchen Reinhagen

Gerry Geddes
Lately it seems that singer Gretchen Reinhagen's name pops up most often with the word "director" attached, but in her continuing residency at Pangea the words "host" and "star" are more to the point. Using her most recent night as a celebration of her new CD, Take It With Me, Reinhagen focused on a number...

Mark William

David Sabella
With Feeling Good, his new show at The Green Room 42, vocalist Mark William celebrated the release of his debut CD, Mark William: Come Croon With Me. The recording is billed as his "critically acclaimed nightclub act"; accordingly, the show was a hybrid of nightclub- and cabaret-style performance. This is sometimes the case with a...

Lorna Dallas

Mark Dundas Wood
Lorna Dallas—an American who made a name for herself as a young singer in London, and then decided to make a life there—returned to New York City's Birdland Theater recently with an encore performance of the show she debuted there in February. Stages, directed by Barry Kleinbort, with musical direction by pianist Chris Denny, gave...

Bruno Giraldi

Mark Dundas Wood
There are cabaret singers who have years of experience under their belts, a warm rapport with their audiences, refined acting and singing skills, and a solid understanding of the club-singer's repertoire. And then there are those with far less experience, whose relationship with listeners is hit or miss, and whose fluency with the cabaret catalog...

Mary Ellen Ryan

Penelope Thomas
Mary Ellen Ryan's debut cabaret, No Apologies, started with a satirical Ted Talk-inspired Women's Studies lecture, complete with Ryan in reading glasses as "Professor Feminista." The performance alternated between this professor as our guide, and a variety of alter-egos who performed the mostly comic or ironic song list. Directed by Eadie Scott, with musical direction...

Ari Axelrod

Robert Windeler
Editor's note: This review has been updated to correct factual errors in the original version published on December 10. We apologize for the errors and sincerely regret any misunderstanding they caused. At the beginning of A Celebration of Jewish Broadway (directed by Lina Koutrakos), which he recently brought back to Birdland Theater, Ari Axelrod cheerfully...